Inviting a photographer to an orchestra rehearsal to give the audience a unique behind-the-scenes look is great—but it does raise a few questions:

You also take close-up shots. Can it happen that a rehearsal is disturbed by your photography? No. Beforehand, I always coordinate with the orchestra management to clarify the areas in which I may move. To move as quietly as possible, I love to take off my shoes for every shoot and use a camera that operates completely silently.
In addition, I photograph with a very fast zoom lens, which allows me to keep a comfortable distance from the musicians while still capturing highly personal moments. Naturally, I never use flash.

Why do you photograph exclusively in black and white? Most photographs considered iconic are in black and white — just think of portraits of Bernstein, Karajan, or Frida Kahlo. There’s a reason for that: while color can convey the atmosphere of a room in a powerful way, the strength of black-and-white photography lies in highlighting facial expressions and gestures. It draws the viewer’s attention to what is personal and individual.
This kind of reduction fascinates people — regardless of age, background, or whether they are already classical music enthusiasts or not.

What do you do differently from other photographers? As I studied music myself I know the music world and love classical music. In my view, the most important investment in creating outstanding photographs is taking plenty of time. Because I make a point of being present before rehearsals begin, I can connect with the Orchestra and discover new perspectives that go beyond the ordinary and surprise the audience — and that’s precisely what makes a photograph memorable.
Since I move comfortably between different musical worlds, I’m able to create images that resonate both within and beyond the classical music scene.

Do you also publish photographs from the shoot yourself? I only publish photographs once I have received written approval from both the management and the individuals depicted.

What happens to photographs that are not approved by the orchestra? Such photographs are deleted from all data carriers, as contractually agreed.

What happens when you sell a photograph after it has been approved? All my photographs are limited to 10 prints worldwide. In the event of a sale, the orchestra receives 20% of the sale price.

Do you work worldwide? Yes.

How much does a shoot cost? The price per hour is € 450, starting from the moment the rehearsal begins. I don´t charge travel expences or editing.

How many photos will you receive from a three-hour shoot? I guarantee a collection of at least 25 exclusive, fully edited images, ready for both web and print use.

Do you mind if there are other photographers present? Not at all.